Journal of the Scottish Society for Art History – Volume 16 (2011–2012)

Journal of the Scottish Society for Art History – Volume 16 (2011–2012)

The SSAH annual journal is a leading Scottish periodical for the publication of new art historical research.

Volume 16 (2011–2012), Art & Art History in Scottish Public Collections, includes the following contents:

• Matthew Jarron – Foreword
• Iain Gordon Brown – David Martin and Allan Ramsay: A candid view by Alexander Fraser Tytler
• Patricia R. Andrew – The bridge behind Burns
• William Rough – A cluster of butterflies: James Guthrie Orchar and his collection of Whistler etchings and drypoints
• Shona Elliott – Changes in the University of Aberdeen’s approach to displaying art, 1860–2010
• Benjamin Greenman – Seedbed and the wedge of chastity: the erotic play of interpretation
• Anne Galastro – Fifty years of collecting policies at the Scottish National Gallery of Modern Art: bargain hunting or talent spotting?
• Bo Hanley – Acquiring the ineffable: investigating production and policy for contemporary visual art in municipal museums and galleries in Scotland
• Andrew Greg – Your Paintings: public access and public tagging

About the Scottish Society for Art History

The SSAH was founded in 1984 to promote art history in Scotland. It is open to everyone interested in art, from those with a general interest to specialist scholars, students, teachers, curators, collectors and dealers.