Journal of the Scottish Society for Art History – Volume 24 (2019–2020)

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Journal of the Scottish Society for Art History – Volume 24 (2019–2020)

The SSAH annual journal is a leading Scottish periodical for the publication of new art historical research.

Volume 24 (2019–2020), Sculpture in Scotland, includes the following contents:

  • Andrew Demetrius – Art decade: Glenrothes town artist – public sculpture as collaborative practice
  • Natalie Morgan-Klein – Postwar public sculpture in British new towns: the pioneering role of Brian Miller in Cumbernauld
  • Matthew Jarron – ‘The immortality of stone, and the immortality of art’ – A brief history of public sculpture in Dundee
  • Aonghus Mackechnie – Scoto-Netherlandish sculpture and the scientists: 1610s-1630s
  • Iain Fraser – An epitome, two temples and a colossus: the 11th Earl of Buchan and his sculpture
  • Clarisse Godard Desmarest – Columns, statues and memory in nineteenth century Scotland
  • Hardeep Dhindsa – New town, new money: towards a decolonised Edinburgh
  • Eva Belgherbi – Ottilie Maclaren Wallace (1875-1947) and Scotland
  • Kirsty Jackson – The making of a sculptor: Charles d’Orville Pilkington Jackson’s training in the early days at Edinburgh College Of Art
  • Robin H Rodger – The Keith Rand studio gift
  • Georgina Coburn – Energy, concept and material – the art of Steve Dilworth
  • Jo Meacock – Exploding convention: I Say Nothing, a World War I centenary sculpture commission by Christine Borland
  • Alice Strang – From the wall to a performance: Monster Chetwynd’s re-definition of sculpture

About the Scottish Society for Art History

The SSAH was founded in 1984 to promote art history in Scotland. It is open to everyone interested in art, from those with a general interest to specialist scholars, students, teachers, curators, collectors and dealers.

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EditorMatthew Jarron
AuthorMatthew Jarron