Journal of the Scottish Society for Art History – Volume 24 (2019–2020)

Journal of the Scottish Society for Art History – Volume 24 (2019–2020)

The SSAH annual journal is a leading Scottish periodical for the publication of new art historical research.

Volume 24 (2019–2020), Sculpture in Scotland, includes the following contents:

• Andrew Demetrius – Art decade: Glenrothes town artist – public sculpture as collaborative practice
• Natalie Morgan-Klein – Postwar public sculpture in British new towns: the pioneering role of Brian Miller in Cumbernauld
• Matthew Jarron – ‘The immortality of stone, and the immortality of art’ – A brief history of public sculpture in Dundee
• Aonghus Mackechnie – Scoto-Netherlandish sculpture and the scientists: 1610s-1630s
• Iain Fraser – An epitome, two temples and a colossus: the 11th Earl of Buchan and his sculpture
• Clarisse Godard Desmarest – Columns, statues and memory in nineteenth century Scotland
• Hardeep Dhindsa – New town, new money: towards a decolonised Edinburgh
• Eva Belgherbi – Ottilie Maclaren Wallace (1875-1947) and Scotland
• Kirsty Jackson – The making of a sculptor: Charles d’Orville Pilkington Jackson’s training in the early days at Edinburgh College Of Art
• Robin H Rodger – The Keith Rand studio gift
• Georgina Coburn – Energy, concept and material – the art of Steve Dilworth
• Jo Meacock – Exploding convention: I Say Nothing, a World War I centenary sculpture commission by Christine Borland
• Alice Strang – From the wall to a performance: Monster Chetwynd’s re-definition of sculpture
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About the Scottish Society for Art History

The SSAH was founded in 1984 to promote art history in Scotland. It is open to everyone interested in art, from those with a general interest to specialist scholars, students, teachers, curators, collectors and dealers.